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the novel never feels anything less than captivating because Winman creates such a flawless illusion of spontaneity, an atmosphere capable of sustaining these characters’ macabre wit, comedy of manners and poignant longing. Under the spell of Winman’s narration, this seems entirely possible - and endlessly charming. She moves among them, licking up phrases and glances, catching the sharp savor of this smoky place so well you’ll taste it on your lips. Winman has perfected a style as comfortable and agile as the greetings and anecdotes these old friends have traded for years. That may sound suspiciously sentimental, but the joys of Still Life are cured in a furnace of tragedy. Unfurling with no more hurry than a Saturday night among old friends, the story celebrates the myriad ways love is expressed and families are formed. It’s that rare, affectionate novel that makes one feel grateful to have been carried along. Rave The Washington Post I’m not promising too much by claiming that Sarah Winman’s Still Life is a tonic for wanderlust and a cure for loneliness. Near the end, Kostas’s precious tree tells us, \'If it’s love you’re after, or love you have lost, come to the fig, always the fig.\' This novel offers the same invitation - and the same reward. The results may sometimes feel surreal, but this technique allows her to capture the impossibly strange events of real life. As an author, she’s that rare alchemist who can mix grains of tragedy and delight without diminishing the savor of either. Yes, it’s an odd conceit, particularly whimsical for a novel that explores such painful material, but not surprising from Shafak. Without snarling readers in a thicket of confusion - don’t worry, each chapter is clearly dated - Shafak involves us in the task of assembling these events. isn’t just a cleverly constructed novel it’s explicitly about the way stories are constructed, the way meaning is created, and the way devotion persists. But this is not a novel about the cataclysms that reshape nations it’s about how those disasters recast ordinary lives. Rave The Washington Post American readers unfamiliar with the tumultuous history of Cyprus will appreciate how gracefully Shafak folds in details about the violence that swept across the island nation in the second half of the 20th century. Cotton candy such as The Stranger in the Lifeboat is a saccharine substitute that spoils the appetite for sacred food. That’s a shame because every religious tradition and many thoughtful writers of faith provide profound guidance through dark times of despair and grief. To borrow a word, it narcotizes people in search of real spiritual wisdom. Panning a book like this may feel like harpooning a minnow, but I think treacly metaphysical fiction does us a cultural disservice. And the Lord’s statements supply all the holy insight of a sympathy card from your insurance agent.
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Instead of character development, TV news reports interrupt the story to provide potted biographies of the lost souls.
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Everything about The Stranger in the Lifeboat is sketched in cartoon colors - from its vacuous theology and maudlin tragedies to its class warfare theme. Such soggy inspirational literature makes me seasick. Alas, the survivors’ prayers go unanswered, as did mine for better dialogue. Pan The Washington Post As this divine ordeal drags on, the Lord offers what passes for profundity. It’s what makes The Anomaly a flight of imagination you’ll be rolling over in your mind long after deplaning. In these clever stories and a handful of others, Le Tellier dares us to wonder if we could stand meeting the figure in the mirror. In these chapters - each carefully dated to help us keep everyone straight - we see people struggling to comprehend this most incomprehensible moment of personal inflation. The novel soars, though, when it focuses instead on individual passengers from the Air France flight(s). (A scene showing a Trumpy American president struggling to understand string theory feels like shooting supernovas in a bucket). But these broad bits of social and political satire - along with some silly drama involving emergency mathematicians - are the weakest elements of The Anomaly.
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Le Tellier writes with a heavy dose of his very French condescension. Indeed, with its elegant mix of science fiction and metaphysical mystery, Le Tellier’s thriller is comfortably settled in the middle seat between Lost and Manifest. The book’s intellectuality is neatly camouflaged by its impish humor. Positive The Washington Post Although Americans are frustratingly xenophobic when they make reading choices, The Anomaly, translated by Adriana Hunter, could be the rare exception.